Live event production position showing a multiview monitor, presentation laptop, and control surface at the rear of an event space.

On air

A broadcast, not a webcam.

A keynote, a set, a match, a product launch– live streaming that looks produced rather than plugged in, delivered by someone who plans for the venue’s internet failing rather than hoping it won’t.

Stream Online Program REC Backup path Standby Rehearsal Complete

What gets streamed

The ballroom is one room of many.

A conference stage, a club, a court, a showroom– the chain is the same one every time. What changes is where the cameras go, how the audio arrives, and what the building can actually carry.

  • 01

    Conference and keynote

    Presenters, decks, and Q&A cut live, with the slide legible on the stream instead of a camera pointed at a screen.

  • 02

    Music and performance

    Stage coverage from angles nobody can hold for a whole set, taking a board feed rather than a microphone pointed at a room.

  • 03

    Sport and competition

    Positions that hold the whole field of play and cut live as it happens, for something that will not be run again for the cameras.

  • 04

    Launch and live commerce

    Product close enough on camera to actually sell, going out to the platform the buyers are already sitting in.

  • 05

    Social and multi-platform

    One program to more than one destination at once, framed so it still reads in a vertical feed.

  • 06

    Internal communications

    All-hands and town halls delivered to a private audience, with the recording handed over afterwards.

Remote-operated PTZ cameras positioned to cover a band performing on a lit stage.
Music and performance
A remote-operated PTZ camera covering a tennis match from courtside.
Sport and competition

Live production

Everything the audience sees, cut live.

  • 01

    Multi-camera switching

    A live cut, run by someone watching the room– not a static wide shot that makes an hour-long program feel like a security feed.

  • 02

    PTZ and operated cameras

    Remote-operated positions where an operator would be intrusive, combined with operated cameras where the shot actually needs a human.

  • 03

    Slides and presentation

    Decks brought into the switch properly, so the remote audience reads the slide instead of a camera pointed at a screen.

  • 04

    Pre-recorded content

    Sizzles, testimonials, and package playback rolled into the program on cue, at full quality.

  • 05

    Remote speakers

    Presenters joining from elsewhere, integrated into the program with their audio and video handled like any other source.

  • 06

    Recording deliverables

    A clean recording of the program captured alongside the stream, for the edit and the archive.

Camera coverage

Cameras where an operator would be in the way.

Remote-operated PTZ positions cover angles that a camera operator physically cannot hold for a two-hour program, or should not be standing in for. Paired with operated cameras on the shots that genuinely need a person, that gives a program real coverage without filling the room with crew.

PTZ coverage is scoped and sourced per event. Camera counts and specific models are confirmed at quote.

PTZ camera control position showing multiple remote camera feeds on a monitor wall.
A lineup of remote-operated PTZ cameras.

Before the doors open

Most streams fail for boring reasons.

  • 01

    Venue connectivity

    Venue internet is the single most common point of failure. We assess what is actually available, and plan a bonded or backup path rather than trusting the house Wi-Fi.

  • 02

    Redundancy

    Backup encoding and a secondary path, so a dropped connection is an inconvenience rather than the end of the event.

  • 03

    Platform delivery

    Delivery to the platform the event actually uses– a webinar tool, a corporate portal, a public channel, or several at once.

  • 04

    Rehearsal

    A technical run before doors, so the first time a transition happens is not in front of the audience.

Scope overview

How an event gets scoped.

Program type
Conferences and keynotes, internal communications, marketing and launch events, music and performance, sport and competition, live commerce, and multi-platform social.
Cameras
PTZ and operated camera positions, scaled to the room and the program.
Sources
Live cameras, presentation slides, pre-recorded packages, and remote speakers.
Delivery
Streaming to the client’s platform of choice. Multiple simultaneous destinations available.
Connectivity
Venue internet assessment with backup and bonded paths planned per event.
Recording
Program recording captured for post-event edit and archive.
Crew
Operator and crew requirements scoped per event, including travel where the venue requires it.
Rehearsal
Technical rehearsal scheduled ahead of doors as standard.

Every event is quoted from its own requirements– venue, audience, program length, and delivery platform all change the package.

On the day

Plan your stream

Tell us about the event.

Date, venue, program length, audience, and where it needs to be delivered. We’ll come back with a scope and the questions worth answering early.