VTR · Video Assist · Live Streaming

Did we get it? Know before you move on.

PreViz.Studio runs video village, playback, and multi-camera live production– for film, television, commercials, music videos, and events that only happen once. Every take marked and synced to production sound as it’s shot– so the answer is on the monitor, not in the dailies.

Stream Online

Selected productions & clients

Productions and clients Morgan has worked with

  • Smuggler
  • MJZ
  • RadicalMedia
  • Somesuch
  • Prettybird
  • Division7
  • Apple TV+
  • Universal Pictures
  • Miramax Films
  • ArtClass
  • Discovery Channel
  • Oculus
  • Native Four
  • Big Kid
  • Mojave Productions

Inside the system

One take, four rooms.

A take passes through every room in the system before the unit moves on. This is the journey your footage takes on the day.

  1. 01

    Shoot

    Every camera up with metadata and timecode registered, recording together and synced to production sound.

  2. 02

    Edit

    In and out points set on the take as it happens, the best of the series cued and circled for post.

  3. 03

    Comp

    Chroma key, overlays and 50/50 splits, so the creative can confirm the shot works while the set still stands.

  4. 04

    File

    Named, logged and handed to editorial — so the answer is on the monitor, not in the dailies.

Selected credits

Film and TV credits with stories worth opening.

  • Avatar: Fire and Ash key art
    Avatar: Fire and Ash
  • NOPE key art
    NOPE
  • John Wick: Chapter 2 key art
    John Wick: Chapter 2
  • Pam & Tommy key art
    Pam & Tommy
  • Wrath of Man key art
    Wrath of Man
  • The Forever Purge key art
    The Forever Purge
  • Queenpins key art
    Queenpins
  • Poolman key art
    Poolman

Film, television & music video credits

The plan

Three steps, and it’s handled.

  1. 01

    Tell us the day

    Camera count, village configuration, who needs to see what, and where it all has to travel. One conversation, not a spec sheet you have to fill in yourself.

  2. 02

    We arrive tested and labeled

    Every package is built, powered up, and run before it leaves. Cables are labeled. Nothing gets diagnosed for the first time on your set.

  3. 03

    You watch the work

    The village runs, the client sees what they need to see, and the technical layer stops being something you think about.

What we do

Two services. Same discipline.

On set

VTR & Video Assist

Multi-camera recording and playback, synced sound, marked takes, and the notes that reach post– on film, television, commercial, and music video sets.

On air

Live Streaming

Multi-camera switching, slide and playback integration, remote speakers, and a redundant path to your platform– for stages, venues, and anything with a start time.

Morgan Spadone at a video-assist cart on a night exterior set, monitors and routing gear in front of him.

The guide

You already have enough to think about.

PreViz.Studio is Morgan Spadone. The work is video village and live production– building the systems that let a director, an agency, and a client all see the same thing at the same time, and running them quietly enough that nobody has to think about them.

That means arriving with gear that has already been tested, knowing what a set actually sounds like when it’s going wrong, and solving the problem before it reaches the people whose day depends on it.

More about Morgan

Rental packages

Systems that show up complete.

  • Multi-camera video village

    Director and client monitoring, routing, and distribution scaled to the camera count.

  • Director monitor carts

    Dual-monitor configurations with the stands, power, and cabling already accounted for.

  • QTAKE playback packages

    Recording, playback, compositing, and reference built for the way the day is actually shot.

Request a Rental Package

Start a conversation

Tell us about the day.

Production dates and event dates get scoped differently. Pick the one that matches yours and we’ll come back with a real answer.

DAY 03 47 TAKES 12 CIRCLED DELIVERED 19:42
  • Circled take, scene 101 shot A, rated three stars
    101 / A / TK 03 09:14:22
  • Logged take, scene 101 shot B
    101 / B / TK 02 09:41:07
  • Circled take, scene 102 shot A, rated three stars
    102 / A / TK 05 10:22:48
  • Logged take, scene 102 shot B
    102 / B / TK 01 10:58:13
  • Logged take, scene 103 shot A
    103 / A / TK 04 11:36:55
  • Circled take, scene 103 shot C, rated three stars
    103 / C / TK 02 12:04:31
  • Logged take, scene 104 shot A
    104 / A / TK 07 13:47:09
  • Circled take, scene 104 shot B, rated three stars
    104 / B / TK 03 14:15:44
  • Circled take, scene 105 shot A, rated three stars
    105 / A / TK 02 15:02:18
  • Circled take, scene 105 shot B, rated three stars
    105 / B / TK 06 15:39:52
  • Logged take, scene 106 shot A
    106 / A / TK 01 16:28:37
  • Circled take, scene 106 shot B, rated three stars
    106 / B / TK 04 17:11:05
Synced, named, logged — representative wrap report.